artistic expression used to describe the latest flood of
cookie cutter songs from every current-era female pop musician. Recognizable by the usual accompaniment of pianos or violins, these are the songs that are inducing the collective menstrual cycles of the radio
free world. Although usually reserved for female musicians, the term can, in some instances, be applied to the critique of male musicians if the estrogen level is deemed beyond the “
Seminal Trappings” term assigned to the same music.